Buddhist stone inscriptions in China
For the project database with interactive maps, full texts of our research publications, transcriptions of inscriptions, and a character database, please visit
The second half of the 6th century AD represents an important era for Chinese Buddhism. In 577/578, believers suffered persecution at the hands of the secular state of Zhou. At the same time, monks made great strides in translating the writings of Buddha during this period, which led to a completely transformed understanding of his teachings. The religion, which originated in India, was now adapted to many elements of the local tradition. This historical development was reflected in unique stone inscriptions. Some of the sacred texts were painstakingly carved into the rock in characters up to three meters high, while others were integrated into the architectural design of cave temples. With this "network" of stone inscriptions, the Chinese Buddhists of that time created what are arguably the most culturally and historically significant monuments in northern China.
The task of the research center, which was established in 2005, is to compile a complete and systematic documentation of these stone inscriptions, some of which have only been rediscovered in recent years. The stone inscriptions have been preserved over the centuries, particularly in the provinces of Shandong, Henan, and Hebei. The scientific evaluation of the historical and biographical information contained in these texts – along with their commentaries – sheds new light on the Sinicization of Buddhism. Of particular interest is the fact that the texts are embedded in different spatial contexts. They lend the landscape a sacred character: monumental steles proclaim the sacred texts, steep rock faces become places of meditation, and large boulders mark pilgrimage paths climbing up the mountains.
The project is based on international cooperation, primarily with Chinese scholars, who have been increasingly focusing on questions of religious history for several years now. In addition, there are close ties to Japanese scholars who are continuing their country's outstanding tradition of Buddhist studies. Researchers from the Department of Geoinformation Science at the Karlsruhe University of Applied Sciences (FH) are also involved in the project on an interdisciplinary basis to clarify the topographical situation of the carved texts. They are not only creating an overview plan of all inscriptions, but also 3D models of the inscription sites, which enable the monuments to be viewed and read on a computer.
In the middle of the 6th century AD, Chinese Buddhists began carving their sacred texts into stone. Some worked outdoors on natural rock, while others integrated selected passages into the imagery of cult caves. These stone sutras served to publicize and spread Buddhist teachings among the people. After the persecution of Buddhists in 574–577, the idea of preservation became increasingly important. Influential patrons of Buddhism donated money to have ever more extensive passages of text carved into stone, thus preserving them for eternity. Finally, monks at the Cloud Home Monastery near Beijing set about carving the entire Buddhist canon onto slabs so that it might survive the end of the world they expected. The aim of the research project is to document, interpret, and present these stone inscriptions.
HAdW, character "Buddha," Mount Ergu, Shandong
Inscriptions on the natural rock
The first phase of the project, which began in 2005, focused on recording the stone inscriptions in the open air in Shandong Province. There, learned monks selected short, significant passages from the Buddhist sutras and wrote them in artistic calligraphy directly onto steep rock faces near their monasteries. In a second step, skilled stonemasons carved the characters, some up to three meters high, into the rock. These characters have survived to this day. The sacred texts embodied objects of meditation on which the monks concentrated during their spiritual exercises. The conscious connection between writing and stone gives the mountains the character of a sacred landscape.
Along a pilgrimage route, a continuous text was carved into mighty, scattered boulders. The intention was to invoke the presence of Buddhas, bodhisattvas, and sages in a paradisiacal landscape. Believers regarded this place as the true land of Buddha. Granite surfaces on mountain slopes were transformed into gigantic steles. Several hundred large-format characters were used to inscribe an entire chapter of a sutra on them.
Inscriptions on the natural rock
Inscriptions in cult caves
Even longer passages from the sutras can be found in small-format characters on the interior walls of cult caves. These writings are inserted between the sculptures and groups of images of the figures of salvation and thus become part of the religious message about the Dharma (Buddhist teachings). Such an intertwining of pictorial and non-pictorial representations of religious teachings is rare in world art and of particular epistemological interest.
The stone canon in Wolkenheim Monastery
The largest carving project in world history began at the beginning of the 7th century in the Wolkenheim monastery. Initially, texts were also carved into stone slabs on the walls of a cave, the so-called 'Thunder Sound Cave', which was consecrated in 616 by a reliquary. Soon after, the monks carved the sacred writings only on prefabricated stone slabs. They stored these in caves, which they sealed forever with stone doors. Inscriptions outside the caves tell of the monks' fear of the impending end of the world. They hoped that in the future age, their stones would come to light again, as if from a time capsule, and tell future generations about the teachings of Buddha.
methods
Documentation The primary task of the research center is the systematic and complete documentation of the stone inscriptions. Precise georeferenced surveying allows the inscriptions to be understood as objects in space and the relationships between the groups of inscriptions to be recognized. In this way, the network of monuments with which Chinese Buddhists covered and shaped the landscape in that era becomes clear for the first time. The photographic documentation includes the carved stones as well as rubbings of the inscriptions with ink and paper. Older rubbings are sometimes in better condition because the stones have weathered more in the meantime. Where available, transcriptions of traditional Chinese epigraphic literature dating back up to 200 years are also evaluated. The ideal goal is the complete reconstruction of the original text. Translations with detailed scientific apparatus are also part of the documentation.
Interpretation
Many inscriptions, especially those discovered recently, shed new light on the history of Buddhism. They mention important Chinese and Indian monks who do not appear in the historical sources known to date. The project will contribute to the clarification of scientifically relevant questions concerning the practice of confession and meditation rituals, the categorization of apocryphal and canonical texts, and, more generally, the political instrumentalization and Sinicization of Buddhism during the period in question.
presentation Virtual terrain models and 3D visualizations are being created in collaboration with researchers from the Faculty of Geoinformation Science at Karlsruhe University of Applied Sciences (FH). The processing and evaluation of the collected text and image data goes hand in hand with the creation of a database tailored to the specific requirements of Chinese texts and characters. This involves using the standards of established Buddhological and Sinological databases and state-of-the-art digitization techniques that take into account the complexity of East Asian writing systems. The research results will also be processed and presented in a suitable form for a lay audience with an interest in science.
International cooperation
For several years now, Chinese scholars have been turning their attention back to phenomena related to religious history, as their significance for China's self-image as a cultural nation is being rediscovered. This development greatly benefits the work of the research project. In addition, there are close ties to scholars in Japan who are continuing their country's first-class tradition of Buddhist studies. The collection and evaluation of data takes place in close international cooperation. Renowned East Asian researchers and young scientists come to Heidelberg to participate in the research. In doing so, they make an important contribution to scientific exchange between Germany and China.
project database
A simplified version of the database with georeferencing and transcriptions has been online since October 2018. The data sets are being gradually supplemented and expanded. Other functions are currently under development. For example, there are plans to restore the functions of the "3D Web Atlas for Stone Sutras," which were previously developed in collaboration with the Institute of Geography in Heidelberg and i3mainz.
Project overview
lecture recordings
Prof. Lothar Ledderose at the Confucius Institute Nuremberg-Erlangen, April 13, 2023:
China writes differently (YouTube)
Prof. Lothar Ledderose at SOAS University of London, November 15, 2019:
China Writes Differently (YouTube)
Prof. Lothar Ledderose at the Cleveland Museum of Art, The Pauline and Joseph Degenfelder Lecture, March 3, 2018:
Under the Open Sky(YouTube)
Prof. Lothar Ledderose at The Ho Center for Buddhist Studies, Stanford University, March 2, 2017:
Writing on Mountains to Save the World(YouTube)
head of research
Employees
former employees
- Dr. CHEN Tingting
- Dr. CHUANG Hui-Ping
- Shaohua Grasmück-Zhang, M.A.
Members of the commission accompanying the project
- Prof. Dr. Enno Giele (Heidelberg)
- Prof. Dr. Harald Hauptmann (Heidelberg) †
- Prof. Dr. Thomas Höllmann (Munich)
- Prof. Dr. Chongfeng Li (Beijing)
- Prof. Dr. Joseph Maran (Heidelberg), Chairman
- Prof. Dr. Stefan Maul, Deputy Chairman
- Prof. Barbara Mittler (Heidelberg)
- Professor Jessica Rawson, Dame (Oxford)
- Prof. Dr. Achim Richter (Darmstadt)
- Prof. Dr. Oskar v. Hinüber (Freiburg)
- Prof. Dr. Christian Wittern (Kyoto)
Publication series Buddhist Stone Sutras in China
China Academy of Art Press and Harrassowitz Verlag
SHANDONG PROVINCE
SHANDONG 1
Wang Yongbo 王永波 and Lothar Ledderose 雷德侯, eds. Zhongguo fojiao shijing: Shandong Sheng di yi juan 中國佛教石經•山東省第一卷. Buddhist Stone Sutras in China: Shandong Province Volume 1. Hangzhou and Wiesbaden: 中國美術學院出版社 China Academy of Art Press and Harrassowitz Verlag, 2014.
Contributors: Paul Copp, Lai Fei, Lothar Ledderose, Thorsten Schwing, Tsai Suey-Ling, Claudia Wenzel, Zhang Zong.
Reviews:
T.H. Barrett, Central Asiatic Journal Vol. 58, 2015, No. 1–2, 225–226.
Bart Dessein, China Review International Vol. 20, 2013 (2016), No. 3–4, 407–409.
John Kieschnick, Bulletin of the School of Oriental and African Studies Vol. 79(3), 2016, 686–688.
Florian C. Reiter, Journal of the German Oriental Society Vol. 167(2), 2017, 519–522.
Raoul Birnbaum, T’oung Pao Vol. 103-1-3, 2017, 261–278.
Ha Jungmin 하 정 민, Korean Intellectual History Vol. 56 (August 2017), 429–438.
SHANDONG 2
Wang Yongbo 王永波 and Claudia Wenzel 温狄婭, eds. Zhongguo fojiao shijing: Shandong Sheng di er juan 中國佛教石經•山東省第二卷 . Buddhist Stone Sutras in China: Shandong Province Volume 2. Hangzhou and Wiesbaden: 中國美術學院出版社 China Academy of Art Press and Harrassowitz Verlag, 2015.
Contributors: Bi Fei, Paul Copp, Lai Fei, Lothar Ledderose, Thorsten Schwing, Tsai Suey-Ling, Claudia Wenzel, Zhang Zong.
Reviews:
Bart Dessein, China Review International Vol. 21, 2014 (2016), No. 2, 189–191.
John Kieschnick, Bulletin of the School of Oriental and African Studies Vol. 79(3), 2016, 686–688.
Florian C. Reiter, Journal of the German Oriental Society Vol. 167(2), 2017, 522–526.
Ha Jungmin 하 정 민, Korean Intellectual History Vol. 56 (August 2017), 429–438.
Helmut Schmidt-Glintzer, Monumenta Serica Vol. 66, no. 1 (2018), 226–228.
SHANDONG 3
Wang Yongbo 王永波 and Tsai Suey-Ling 蔡穗玲, eds. Zhongguo fojiao shijing: Shandong Sheng di san juan 中國佛教石經•山東省第三卷. Buddhist Stone Sutras in China: Shandong Province Volume 3. Hangzhou and Wiesbaden: 中國美術學院出版社 China Academy of Art Press and Harrassowitz Verlag, 2017.
Contributors: Martin Bemmann, Lai Fei, Lothar Ledderose, Qu Yi, Manuel Sassmann, Thorsten Schwing, Tsai Suey-Ling, Claudia Wenzel, Zheng Yan.
Reviews:
Florian C. Reiter, Journal of the German Oriental Society Vol. 169(2), 2019, 511-515.
Jiang Wu, Bulletin of the School of Oriental and African Studies Vol. 82 (3), 2019, 576-578.
SHANDONG 4
Wang Yongbo 王永波 and Lothar Ledderose 雷德侯, eds., with the assistance of Robert E. Harrist, Jr. Zhongguo fojiao shijing: Shandong Sheng di san juan 中國佛教石經•山東省第四卷. Buddhist Stone Sutras in China: Shandong Province Volume 4. Hangzhou and Wiesbaden: China Academy of Art Press and Harrassowitz Verlag, 2022.
Contributors: Bai Bing 白冰, Martin Bemmann 馬本漢, Bi Xia 畢夏, Cao Rong 曹蓉, Chen Mingkun 陳明坤, Paul Copp 柏剛, Gu Fei 古菲, Hu Haohua 胡昊華, Kong Bei 孔蓓, Lai Fei 賴非, Lothar Ledderose 雷德侯, Liu Xiaofeng 劉曉峰, Liu Yishi 劉乙仕, Jan Mühlenbernd 中山耶, Celia Carrington Riely 李慧聞, Manuel Sassmann 王平國, Thorsten Schwing 史英, Tsai Suey-Ling 蔡穗玲, Claudia Wenzel 温狄婭, Xia Momei 夏墨湄, Xu Xiaoling 徐曉玲, Zhou Ying 周郢, Zong Shiqiang 宗世强.
Reviews:
Lothar von Falkenhausen,Journal of the American Oriental Society, vol.144, no. 3 (2024), 680–693. https://doi.org/10.7817/jaos.144.3.2024.r034
Florian Reiter,Journal of the German Oriental Society, vol. 174, no. 2 (2024), 542–545.https://doi.org/10.13173/ZDMG.174.2.542
Johan Elverskog,Journal of Chinese History, 2024, 1–2 (online first). https://doi.org/10.1017/jch.2024.8
SICHUAN PROVINCE
SICHUAN 1
Ledderose, Lothar 雷德侯 and Sun Hua 孫華, eds. Zhongguo fojiao shijing: Sichuan Sheng di yi juan 中國佛教石經•四川省第一卷 Buddhist Stone Sutras in China: Sichuan Province Volume 1. Wiesbaden and Hangzhou: Harrassowitz Verlag and 中國美術學院出版社 China Academy of Art Press, 2014.
Contributors: Lothar Ledderose, Ren Jing, Stephen F. Teiser, Tsai Suey-Ling.
Reviews:
Toshihide Numata Book Award Announcement 2015.
Bart Dessein, China Review International Vol. 20, 2013 (2016), No. 3–4, 342–343
Karil J. Kucera, Journal of Chinese Religions Vol. 44, No. 2, 2016, pp. 188–190.
John Kieschnick, Bulletin of the School of Oriental and African Studies Vol. 79(3), 2016, 686–688.
Florian C. Reiter, Journal of the German Oriental Society Vol. 167(1), 2017, 256–262.
Marcus Bingenheimer, T’oung Pao Vol. 104-1-2 (2018), 202–206.
SICHUAN 2
Tsai, Suey-Ling 蔡穗玲 and Sun Hua 孫華, eds. Zhongguo fojiao shijing: Sichuan Sheng di er juan 中國佛教石經•四川省第二卷. Buddhist Stone Sutras in China: Sichuan Province Volume 2. Wiesbaden and Hangzhou: Harrassowitz Verlag and 中國美術學院出版社 China Academy of Art Press, 2014.
Contributors: Frederick Shih-Chung Chen, Lothar Ledderose, Ryan Richard Overbey, Ren Jing, Manuel Sassmann, Tsai Suey-Ling, Claudia Wenzel.
Reviews:
Bart Dessein, China Review International Vol. 20, 2013 (2016), No. 3–4, 380–381.
Karil J. Kucera, Journal of Chinese Religions Vol. 44, No. 2, 2016, pp. 188–190.
John Kieschnick, Bulletin of the School of Oriental and African Studies Vol. 79(3), 2016, 686–688.
Florian C. Reiter, Journal of the German Oriental Society Vol. 167(1), 2017, 256–262.
Helmut Schmidt-Glintzer, Monumenta Serica Vol. 66, no. 1 (2018), 226–228.
Marcus Bingenheimer, T’oung Pao Vol. 104-1-2 (2018), 202–206.
SICHUAN 3
Claudia Wenzel and Sun Hua, eds. Zhongguo fojiao shijing: Sichuan Sheng di san juan. Buddhist Stone Sutras in China: Sichuan Province Volume 3. Wiesbaden and Hangzhou: Harrassowitz Verlag and China Academy of Art Press, 2016.
Contributors: Martin Bemmann, Frederick Shih-Chung Chen, Lothar Ledderose, Ryan Richard Overbey, Ren Jing, Manuel Sassmann 王平國, Tsai Suey-Ling 蔡穗玲 , Claudia Wenzel 溫狄婭, Stefano Zacchetti 左冠明.
Reviews:
Bart Dessein, China Review International Vol. 22, 2015 (2017), No. 2, 142–145.
Wendi Adamek, Bulletin SOAS Vol. 80 (3), 2017, 614–615.
Bart Dessein, China Review International Vol. 22, 2015 (2017), No. 2, 142–145.
Wendi Adamek, Bulletin SOAS Vol. 80 (3), 2017, 614–615.
Marcus Bingenheimer, T’oung Pao Vol. 104-1-2 (2018), 202–206.
SICHUAN 4
Martin Bemmann 馬本漢 and Sun Hua 孫華, eds. Zhongguo fojiao shijing: Sichuan Sheng di wu juan 中國佛教石經•四川省第四卷. Buddhist Stone Sutras in China: Sichuan Province Volume 5. Wiesbaden and Hangzhou: Harrassowitz Verlag and 中國美術學院出版社 China Academy of Art Press, 2018.
Contributors: Mark L. Blum, Eric Greene, Lothar Ledderose, Ryan Richard Overbey, Jessica Rawson, Tsai Suey-Ling.
Reviews:
Bart Dessein, China Review International Vol. 25, 2018 (2020), No. 2, 104–107.
Florian C. Reiter, Journal of the German Oriental Society Vol. 170(2), 2020, 523-526.
SICHUAN 5
Manuel Sassmann 王平國 and Sun Hua 孫華, eds. Zhongguo fojiao shijing: Sichuan Sheng di si juan 中國佛教石經•四川省第五卷. Buddhist Stone Sutras in China: Sichuan Province Volume 5.Wiesbaden and Hangzhou: Harrassowitz Verlag and 中國美術學院出版社 China Academy of Art Press, 2021.
Contributors: Lothar Ledderose, Michael Radich
Reviews:
Bart Dessein, China Review International Vol. 27, 2022, No. 2, early release
Wendi Adamek, Bulletin SOAS Vol. 86 (1), 2023
Florian Reiter,Journal of the German Oriental Society, vol. 174, no. 1 (2024), 266–270.https://doi.org/10.13173/ZDMG.174.1.266
SHAANXI PROVINCE
SHAANXI 1
Lothar Ledderose and Zhao Rong, eds. Zhongguo fojiao shijing: Shaanxi Sheng di yi juan 中國佛教石經•陝西省第一卷 Buddhist Stone Sūtras in China: Shaanxi Province, Volume 1. Hangzhou and Wiesbaden: Zhongguo meishu xueyuan chubanshe 中國美術學院出版社 and Harrassowitz Verlag, 2020.
Contributors: Maxwell Joseph Brandstadt, Shaohua Grasmück-Zhang, Han Jianwu, Wang Yongjin, Yan Min, Zhang Gang, Zhang Zong.
Reviews:
Bart Dessein, China Review International Vol. 26, 2019 (2021), No. 4, 294–299.
Florian C. Reiter, Journal of the German Oriental Society Vol. 177(2), 2021, 532–536.
SHAANXI 2
Michael Radich 何書群 and Zhao Rong 趙榮, eds. Zhongguo fojiao shijing: Shaanxi Sheng di er juan 中國佛教石經•陝西省第二卷 Buddhist Stone Sūtras in China: Shaanxi Province, Volume 2. Hangzhou and Wiesbaden: Zhongguo meishu xueyuan chubanshe 中國美術學院出版社 and Harrassowitz Verlag, 2023.
Contributors: Michael Radich, Claudia Wenzel, Petra Hildegard Rösch, Fan Bo
Reviews
T.H. Barrett, Central Asiatic Journal Vol. 58, 2015, No. 1–2, 225–226 (SHANDONG 1; SICHUAN 1)
It gives immense pleasure to see the inception of a new series on the antiquities of Asia produced to the very highest standards and incorporating international collaborative scholarship of the very highest order. The production values evident in these lavish volumes set new standards for such projects, incorporating as they do in visual form all the information an art historian or archaeologist might need . . .
. . . Although this review has somewhat unfairly singled out two contributions from within these volumes, it must be emphasized that one of the chief delights of reading them is the keen sense that they are the products of many hands, all skillfully orchestrated by the chief editors . . .
. . . Certainly anyone with an eye for real academic quality will await the appearance of further volumes in this landmark series with the keenest interest.
Toshihide Numata Book Award Announcement 2015 (SICHUAN 1)
The Toshihide Numata Book Award in Buddhism is awarded annually to an outstanding book or books in the field of Buddhist studies. The selection is made by an external committee that is appointed annually. The members of this year's committee were enthusiastic in their praise of Buddhist Stone Sutras in China. One member wrote that it is “opening a new chapter in the study of Chinese Buddhist ‘Stone Sutras’, by establishing a very fruitful methodological approach to these complex sources. As such, it has far-reaching positive implications for the field at large and represents (especially as part of a general project) an important contribution to the study of Chinese Buddhism as a whole, encompassing areas as diverse as textual studies, archaeology, religious practices and material culture.” Another commented that it "represents a model of successful cooperation between Chinese and Western scholars; the bilingual presentation is particularly noteworthy from this point of view, as it makes the book accessible to a wider scholarly public."
Bart Dessein, China Review International Vol. 20, 2013 (2016), No. 3–4, 342–343 (SICHUAN 1)
. . . In line with the overall feature of this series, before turning to a detailed description and interpretation of Wofoyuan, the volume starts with a topographical introduction to all the caves in the valley, including a detailed description of their physical features and measurements, and the layout of the contents of each wall of each engraved cave. Having gained a general picture of the layout of the site, greatly aided by the wonderful and lavish photography that characterizes this series, Lothar Ledderose touches upon the chronology of the grove . . .
Bart Dessein, China Review International Vol. 20, 2013 (2016), No. 3–4, 380–381 (SICHUAN 2)
. . . This makes this volume also an interesting philological and text historical study. Moreover, the volume contains the first English translation ever of the “Dhāraṇī Sutra of the Six Gates Spoken by the Buddha” (pp. 42–44) and of the “Sutra on Renouncing the Householder’s Life” (pp. 63–67) . . .
. . . From this and the previous volume on Buddhist stone sutras in Sichuan, it is obvious that the complete series will form an anthology of early medieval Buddhist texts and of the function and the position of these texts in the religious life of early medieval China. The series will also form a reference work on the function of Buddhist institutions in this period. We can therefore only hope for an early publication of the other volumes in this series.
Bart Dessein, China Review International Vol. 20, 2013 (2016), No. 3–4, 407–409 (SHANDONG 1)
. . . This completely bilingual Chinese-English book, with its excellent presentation of the sites and inscriptions through superb photography (with references to the pictures throughout the text), allowing the reader to form a visual picture of the sites, is not only valuable for Buddhologists working on the development of Buddhism and its relation to the secular state in sixth-century China. By showing how, "with their chiseled writings, the monks turned their land into the realm of the Buddha" (p. 44), this volume, more generally, helps anyone interested in Chinese history to form a more nuanced picture of Chinese political history than merely relying on Confucian sources may do . . .
. . . The detailed descriptions of the Buddhist sutras and the insightful interpretations of their importance in Chinese history, along with the overview of publications relating to each of the inscriptions and the comparison of sutra texts with their edited version in the Taishō collection, complemented with a complete English translation, make this book a valuable research tool and a volume every Buddhological and Sinological library should have in their collections . . .
Bart Dessein, China Review International Vol. 21, 2014 (2016), No. 2, 189–191 (SHANDONG 2)
. . As with all other volumes in the series, the inscriptions are edited, compared with the Taishō edition, and technical information on the size and type of characters, physical conditions, and so on, is provided. The lavish photography further helps readers visualize the sites and inscriptions. In addition, a history on the study and cataloguing of all different inscriptions is included. This approach elevates this volume to the level of a history of the discipline. . . .
. . . This, along with an analysis of scholarship relating to the inscriptions, makes this book a valuable research tool and a volume every Buddhist and Sinology library should have in their collections.
Karil J. Kucera, Journal of Chinese Religions Vol. 44, No. 2, 2016, 188–190 (SICHUAN 1; SICHUAN 2)
. . . Exemplary in terms of documenting the Buddhist texts inscribed at the site with photographs, rubbings, and transcriptions, both volumes are well organized, consistent in their approach to each cave and the documentation of each text as compared with those found within the Taishō shinshū daizōkyō, variations being listed in the footnotes. The bilingual nature of the volumes—Chinese and English—makes them structurally dense, but accessible to a broader audience . . .
. . . All can easily be read as stand-alone essays on each of the texts they analyze; concisely written and clearly structured, each represents a significant contribution to the field of Buddhist studies, providing a perfect introduction to a number of less studied works for both specialists and non-specialists. . .
John Kieschnick, Bulletin of the School of Oriental and African Studies Vol. 79(3), 2016, 686–688 (SHANDONG 1; SHANDONG 2; SICHUAN 1; SICHUAN 2)
. . . Perhaps the most important contribution of these volumes is to understanding the craft of stone inscriptions—the challenges calligraphers, stone masons, and carvers faced when attempting to realize works of great difficulty, creativity, and sophistication. The technical information in these books alerts us to carving choices—U-shaped carving, V-shaped carving, and the unusual “flying white” and “Buddha-hands” carving. The authors point out the challenge of fitting a given sutra or passage to a particular space, and the technical difficulties of carving characters close to a wall or near the floor.
Taken together, these four volumes (and the volumes to come) provide extensive primary material along with background and analysis for any number of types of research into Chinese Buddhist social history, philology, and art history.
Florian C. Reiter, Journal of the German Oriental Society Vol. 167(1), 2017, 256–262 (SICHUAN 1; SICHUAN 2)
Sichuan 1: . . . Although some Buddhist texts in those sutra caves were recorded, “none of the stone sutras have been comprehensively and systematically documented, analyzed, and published” ... and now, it is the very purpose of the ongoing German-Chinese project to tackle exactly that task . . .
. . . The paragraph “Transcription” presents the text of the Lotus Sutra of the Wonderful Law in Cave 1. This is a scholarly masterpiece for which Ts’ai Sueyling signs: She copies the extant remnants of the text in the Cave and fills in the gaps, thus reconstituting the Sutra on the basis of the canonical version of Kumârajîva’s translation. Different colors of the characters mark their origin and textual function. . . .
. . . impressive book which is a most valuable contribution to the study of China’s history and pious religious culture that was shared by Chinese society as a whole.
Sichuan 2: . . . We realize that a huge amount of financial support and practical means are required to operate a project of that range and fantastic aspiration . . .
Pages 42–44 contain "The Dhāraṇī Sutra of the Six Gates: Translation," which shows both the original Chinese version and the first English translation of the text, which is indeed a marvelous contribution.
. . . A “Bibliography” (pp. 443–448) concludes this volume, which is a most intriguing opus, fascinating and promising as to forthcoming new volumes in the series Buddhist Stone Sutras in China. These volumes are indispensable for the study of religious Buddhist life and culture in early medieval China.
Bart Dessein, China Review International Vol. 22, 2015 (2017), No. 2, 142–145 (SICHUAN 3)
. . . As in the other volumes in this magnificent series, the combination of archaeological, art historical, and philological work provides us with a new and renewed look at the social and political embedding of the creation of Buddhist caves, enhances our knowledge of text history . . . and adjusts our view of actual Buddhist practices of monks and lay believers.
Raoul Birnbaum, T’oung Pao Vol. 103-1-3, 2017, 261–278 (SHANDONG 1)
. . . Professor Ledderose's comprehensive project, of which this mammoth volume under review is just one constituent element, aims to record and study major Buddhist open-air stone inscriptions at Chinese sites. It is a project of enormous scope, which looks to many regions and many sites (some of the sites themselves are enormous), and it involves a substantial international team of dedicated researchers with expertise both in the technical skills required to carry out meticulous fieldwork and communicate its results, and in a broad range of academic fields, including such fields as art history, history of calligraphy, epigraphy, local history, Buddhist studies, and Chinese religions. It is to Ledderose's credit, together with all his international collaborators and the various generous funding agencies, that this extraordinary visionary endeavor has been seen to fruition . . .
. . . This volume and series on Shandong inscriptions, and the full scope of the project on Buddhist Stone Sutras in China, for which we are deeply grateful, produce in turn a challenge to new generations of scholars to extend these studies through the history of medieval times to the present, to examine how successive waves of peoples lived with these extraordinary religious monuments and thought about them . . .
Florian C. Reiter, Journal of the German Oriental Society Vol. 167(2), 2017, 519–522 (SHANDONG 1)
. . . The pictures and descriptions illustrate what landscape art means in China, it is the melting of the physical, geomorphic nature and the spiritual, intellectual capacity to find and understand an inherent transcendent meaning, using Buddhism as the form of expression. The practical realization was based on a fantastic albeit anonymous craftsmanship that transported art. The volume is absolutely indispensable for the study of religion, of state history and regional culture in China.
Florian C. Reiter, Journal of the German Oriental Society Vol. 167(2), 2017, 522–526 (SHANDONG 2)
. The essay by L. Ledderose embeds the studies of the present project group in the tradition of traditional Chinese Han Learning, which since the Qing period aimed at preserving, verifying, understanding, and transmitting the cultural heritage of China, which in history was a strong concern of the imperial house and the intellectual elite. The importance of having these Buddhist inscriptions presented in this new and modern study, supported with any technical finesse, need not be explained . . .
Wendi Adamek, Bulletin SOAS Vol. 80 (3), 2017, 614–615 (SICHUAN 3)
. . . The series is widely known to be the most ambitious and comprehensive attempt of its kind. Each volume is eagerly awaited by scholars in the fields of Buddhist studies, Chinese art and archaeology, and medieval Chinese history. This latest production maintains the high standards of the project, providing state-of-the-art documentation of the caves. Moreover, inclusion of more analytic chapters in this volume provides welcome contextualization. An important point that emerges from these studies is that cave inscriptions were used to assert slightly different versions of much-used texts. This sheds additional light on engraved text sponsorship, showing that it was not only a merit-making or text-preservation endeavor, but a means to stake claims about textual accuracy and efficacy.
Ha Jungmin 하 정 민, Korean Intellectual History Vol. 56 (August 2017), 429–438 (SHANDONG 1; SHANDONG 2)
in Korean
Helmut Schmidt-Glintzer, Monumenta Serica Vol. 66, no. 1 (2018), 226–228 (SHANDONG 2; SICHUAN 2)
The editors and compilers have exercised the utmost care in every respect, and they deserve special thanks for providing English translations of the texts. The combination of general introductory texts with the transcription and translation of the inscribed texts and the photographic documentation of the finds themselves is a delight for researchers and allows those interested to take a virtual tour of the caves and the stones and walls described. The format, size, and weight of the volumes take their toll, but anyone who delves into these spectacular finds will be richly rewarded.The results of this Heidelberg Academy project will be of fundamental importance for a reassessment of the cultural and religious history of the Chinese Middle Ages, as well as for a history of Buddhism in China that takes regional differences into account. They join the ranks of groundbreaking documentation on places along the Silk Road, as well as on Yungang, Maijishan, and other centers of Buddhist piety in China. Future Dunhuang studies, which have developed into a separate field of research, will also take into account the results of the stone inscription project, just as previous findings on the Buddhist rock caves in Yungang in Shanxi Province ... and at Maijishan in Gansu ... can now be placed in a broader context.
Marcus Bingenheimer, T’oung Pao Vol. 104-1-2 (2018), 202–206 (SICHUAN 1; SICHUAN 2; SICHUAN 3)
For such a project to address Buddhist epigraphy in China is a happy occasion for the field at large, as Chinese Buddhist epigraphy is in a way one of its last frontiers....the thousands of inscriptions at temples that have survived into the twentieth century remain mostly uncatalogued and unedited. In this context, Buddhist Stone Sutras in China is an important and meaningful foray into the little studied world of Chinese Buddhist epigraphy, and sets the bar high for future editions of epigraphic material. ... The three main elements of the volumes—essays, photography, and transcriptions—work very well together. ... The question that unites the essays is: What does it mean for this particular text to be inscribed at this location? Although the answers necessarily remain somewhat conjectural, to me they were often convincing. The many successful interpretations prove that such a locative approach to epigraphy is a fruitful way to think about meaning and the development of sites and texts. ... The Sichuan volumes of Buddhist Stone Sutras in China are among the first results of a fascinating large-scale research project, which is successful both in its conception and execution. ... If the data is made openly available, a group of designers could come up with a virtual cave for research in a few days' work. It would take much less time than our forebears needed to excavate the chambers, chisel the inscriptions, and carve the magnificent reclining Buddha, who is all but ready to float from the stone through the pages of these splendid books into our digital networks.
Florian C. Reiter, Journal of the German Oriental Society Vol. 169(2), 2019, 511-515 (SHANDONG 3)
. . . It goes without saying that all these paragraphs are evidence of meticulous scientific work relying on mastery of the philological and historiographical techniques of traditional Chinese studies, all supported by modern techniques such as photography and cartography. . .
. The reader will find a fantastic amount of information that will invite him to visit the region and use these materials as a solid, reliable basis for further regional studies that would have to accept Buddhist religion as a major component that shaped life and history in Shandong and, in fact, in China. An extended "Bibliography" (pp. 499–512) of the reference sources quoted concludes this valuable volume that no Oriental library should fail to acquire.
Jiang Wu, Bulletin of the School of Oriental and African Studies Vol. 82 (3), 2019, 576-578 (SHANDONG 3)
. . . The editors admirably maintain the high quality of previous volumes and continue to impress us with the richness of the Buddhist stone carving tradition, calling for even more questions to challenge our understanding of Chinese Buddhism. . .
. . . In sum, the discovery and reproduction of the Buddhist stone sutras in Shandong are exciting developments and will move scholarship forward. I believe that the publication of this series in English and Chinese has without doubt brought the study of the stone sutra tradition into a new era.
Bart Dessein, China Review International Vol. 25, 2018 (2020), No. 2, 104–107 (SICHUAN 4)
. . . As in the previous volumes of this series, philological, historical, art historical, and archaeological approaches importantly modify and adjust our generally accepted knowledge of Buddhism in the Tang era. Buddhism is shown in its dimension of a lived religion in its at times troublesome relation with the central government. One can only praise the Heidelberg Academy of Sciences, the Institute of Archaeology and Museology at Peking University, the Chengdu Municipal Institute of Cultural Relics and Archaeology, the Sichuan Provincial Research Institute of Cultural Relics and Archaeology, and the Bureau for Cultural Relics of Anyue County for their excellent work.
Florian C. Reiter, Journal of the German Oriental Society Vol. 170(2), 2020, 523-526 (SICHUAN 4)
. . . This presentation of the Sutra on Repaying the Profound Kindness of Parents (pp. 315–316, 349–350) and the Nirvana Sutra (pp. 317–347) following the distribution of the texts on the various walls, is the absolute highlight for any Sinologist and student of Chinese Buddhism.
Bart Dessein, China Review International Vol. 26, 2019 (2021), No. 4, 294–299 (SHAANXI 1)
. . . the present volume fills a gap in research on the Three Levels Teaching, and makes available new and uncommon material for Buddhist studies. Combined with the volumes on Shandong and Sichuan provinces, this volume further adds to our understanding and appreciation of the multifaceted Chinese Buddhist world.
Elisabeth Guthrie, Canadian Journal of Buddhist Studies Vol. 15, 2020, 122-127 (SICHUAN 3)
. . . As part of a four-part series, this volume and its counterparts speak to a high degree of expertise, with the extensive primary and secondary-source research conducted by the international team of scholars, the inclusion of numerous sources in the footnotes, and the careful attention to bibliographical details. The language of the volume is accessible, and the bilingual content is applicable to a wide audience base. This book is highly recommended for graduate students and scholars with familiarity in the disciplines of archaeology, art history, Buddhist studies (especially Chinese Buddhist studies), history, and philology. This volume is an excellent read and will prove a unique addition to any collection.
Florian C. Reiter, Journal of the German Oriental Society Vol. 177(2), 2021, 532-536 (SHAANXI 1)
. . . Seeing these pictures, we realize what a hell of a job had to be done to decipher and analyze the blurred characters. . . . It is absolutely rewarding to read the texts and compare the translations, which will enable the reader to perceive a sphere of Buddhism that was most certainly unknown to him before. . . . It goes without saying that the volume in all its parts is painstakingly documented in the footnotes. Again, this is a volume that any library must not miss acquiring.
Bart Dessein, China Review International Vol. 27, 2022, No. 2, early release (SICHUAN 5)
. . . as to the overall rationale and motivation that underlies the carving of this and similar cave constructions. It is thanks to works such as this magnificent series that we may hope to find an answer to this and related questions.
Wendi Adamek, Bulletin SOAS Vol. 86 (1), 2023 (SICHUAN 5)
The fifth volume on Sichuan in the monumental Buddhist Stone Sutras in China series continues the impressive teamwork of the Heidelberg Academy of Sciences to document the famous site known as Wofoyuan (Grove of the Reclining Buddha). . . . All the volumes in this series provide high-quality documentation, enabling other scholars to incorporate study of the site. . . . In sum, I have only praise for this magnificent achievement; each aspect of the volume shows the highest degree of attention to detail and quality scholarship. I had the opportunity to hear a presentation by Manuel Sassmann on the technology and labor involved in producing the detailed photos of rubbings and correlating them with photos of wall segments. The process was complicated and exacting, and sets a high standard for other archaeologists. This will be an enduring resource for scholars of medieval China, Buddhism, and Chinese archaeology.
visiting address
Research Center of the Heidelberg Academy of Sciences
"Buddhist stone inscriptions in China"
113 Main Street | 69117 Heidelberg
mailing address
Heidelberg Academy of Sciences
"Buddhist stone inscriptions in China"
Karlstraße 4 | 69117 Heidelberg
Phone: +49 (0) 6221/ 54 3744
Email: stonesutras@hadw-bw.de
Web editing of this project page
Dr. Brigitte Gräf